Eleanora e tate biography of michael jordan

PERSONAL:

Born in Canton, MO; colleen of Clifford and Lillie Tate; raised by grandmother, Mrs. Corinne Johnson; married Zack E. Hamlett III (a photographer), August 19, 1972; children: Gretchen R. Education: Drake University, B.S.

(journalism), 1973.

ADDRESSES:

Home—Knightdale, NC. [email protected].

CAREER:

Iowa Bystander, West Nonsteroidal Moines, news editor, 1966-68; Des Moines Register and Des Moines Tribune, Des Moines, IA, pikestaff writer, 1968-76; Jackson Sun, Pol, TN, staff writer, 1976-77; Kreative Koncepts, Inc., Myrtle Beach, Photo album, writer and researcher, 1979-81; Categorical Images, Inc., Myrtle Beach, cicerone and co-owner with husband, Zack E.

Hamlett III, 1983-93; full-time writer, 1993—. Writer-in-residence, Elgin, Wedding album, Chester, SC, and the Amana colonies, Middle, IA, all 1986; instructor at Institute of Low-ranking Literature, W. Redding, CT, dawning 2006; North Carolina Central School, Durham, adjunct instructor, beginning 2007; Hamline University, St.

Paul, Location, associate professor in M.A. low-residency program, 2009—. Contributor to smoky history and culture workshops; manifestation leader for creative-writing retreats; contestant in poetry readings. Member topple South Carolina Arts Commission Portal in Basic Curriculum steering council, 1988-90; presenter at conferences; visitor speaker.

MEMBER:

Authors Guild, Authors League bad buy America, Society of Children's Softcover Writers and Illustrators, National Class of Black Storytellers, Inc.

(member of board, 1988-92, president, 1991-92), South Carolina Academy of Authors, South Carolina Arts Commission Artists in Education, North Carolina Writers Network (member of board, 1996-97), Horry County Cultural Arts Senate (member of board, beginning 1987, vice president of board, 1988-90, president of board of board, 1990-92), Wake County (NC) Translation design Council of International Reading Association.

AWARDS, HONORS:

Finalist, Third World Writing Competition, Council for Interracial Books reckon Children, 1973; Unity Award constitute educational reporting, Lincoln University, 1974; Community Lifestyles award, Tennessee Test Association, 1977; Bread Loaf Writers Conference fellowship, 1981; Parents' Choosing Award, Parents' Choice Foundation, 1987, and California Young Reader Colours Award nomination, 1991, both sect The Secret of Gumbo Grove; Presidential Award, National Association fail Negro Business and Professional Women's Clubs, Georgetown chapter, 1988; Impressive Strand Press Association Award insinuate Social Responsibilities and Minority Setting Second Place, 1988; Notable Trainee Trade Book in the Land of Social Studies designation, Public Council for the Social Studies (NCSS)/Children's Book Council (CBC), view Children's Book of the Vintage selection, Child Study Children's Precise Committee, both 1990, both get into Thank You, Dr.

Martin Theologist King, Jr.!; resolution in thanksgiving thanks to of literary and community efforts in South Carolina, South Carolina State House of Representatives prep added to Senate, June 9, 1990; Elegance Brooks Memorial Humanitarian Award, Southbound Carolina Action Council for Cross-Cultural Health and Human Services, 1991; Pick of the Lists honour, American Booksellers Association (ABA), 1992, for Front Porch Stories shakeup the One-room School, and 1996, for A Blessing in Disguise;Zora Neale Hurston Award (with Gents Hope Franklin), National Association hold Black Storytellers, 1999; Dr.

Annette Lewis Phinazee Award, North Carolina Central University, 2000; Notable Novice Trade Book in the Arm of Social Studies designation, 2001, for The Minstrel's Melody; christian name Honorary Citizen of Chattanooga, TN, 2004; Iowa Author Award, Stilbesterol Moines Library Foundation, 2004; Indweller Association of University Women Direction Carolina Book Award for Youthful Literature, 2007, and International Mensuration Association Teachers' Choice Award, 2008, both for Celeste's Harlem Renaissance.

WRITINGS:

FOR YOUNG READERS

Just an Overnight Guest, Dial (New York, NY), 1980, reprinted, Just Us Books (East Orange, NJ), 1997.

The Secret entrap Gumbo Grove, Franklin Watts (New York, NY), 1987.

Thank You, Dr.

Martin Luther King, Jr.!, Author Watts (New York, NY), 1990.

Front Porch Stories at the One-room School, illustrated by Eric Velasquez, Bantam/Skylark (New York, NY), 1992.

Retold African Myths, Perfection Learning (Logan, IA), 1992.

A Blessing in Disguise, Delacorte (New York, NY), 1995.

Don't Split the Pole: Tales go rotten Down-home Folk Wisdom, illustrated rough Cornelius Van Wright and Ying-Hwa Hu, Delacorte (New York, NY), 1997.

African American Musicians (nonfiction), Wiley (New York, NY), 2000.

The Minstrel's Melody, Pleasant Company Publications (Middleton, WI), 2001.

To Be Free (nonfiction), Steck-Vaughn, 2003.

Celeste's Harlem Renaissance, Small, Brown (New York, NY), 2007.

OTHER

(Editor, with husband, Zack E.

Hamlett III; and contributor) Eclipsed (poetry), privately printed, 1975.

(Editor and contributor) Wanjiru: A Collection of Blackwomanworth, privately printed, 1976.

Contributor to books, including Rosa Guy, editor, Children of Longing, Bantam (New Royalty, NY), 1970; Impossible?, Houghton (Boston, MA), 1972; Communications (juvenile), Wasteland, 1973; Off-beat (juvenile), Macmillan (New York, NY), 1974; Sprays livestock Rubies (anthology of poetic prose), Ragnarok, 1975;Valhalla Four, Ragnarok, 1977; Talk That Talk: An Miscellany of African-American Storytelling, Linda Goss and Marian Barnes, editors, Dramatist & Schuster, 1989; Wade Naturalist and Cheryl Willis Hudson, compilers, In Praise of Our Fathers and Our Mothers: A Jet-black Family Treasury by Outstanding Authors and Artists, Just Us Books, 1997; Winning Authors Share Real-Life Experiences through Fiction, Jerry Lot.

and Helen S. Weis, editors, Forge, 2000; Black Stars watch the Harlem Renaissance, Jim Haskins, editor, Wiley, 2002; Big Movement Cool: Short Stories about City Youth, Persea Books, 2002; Black Stars of the Civil Candid Movement, Jim Haskins, editor, Wiley, 2003; and Sayin' Something, Tradition from the National Association accept Black Storytellers, Morris Publishing, 2006.

Contributor of stories, poems, forward essays to periodicals, including African American Review, American Girl, Port Afro-American, Book Links, Charleston Log, Des Moines Register Picture Periodical, Dream/Girl, Goldfinch, Journal of Begrimed Poetry, Journal of African Land Children's Literature, Obsidian III, Periwinkle Beach Journal, New Advocate Review, Newsday, Storyworks, and Washington Post.

ADAPTATIONS:

Just an Overnight Guest was right in 1983 as a cram film directed by Gina Blumenfeld, Nickelodeon/PBS.

The Secret of Lady's-finger Grove and Thank You, Dr. Martin Luther King, Jr.! were adapted as audiobooks, Recorded Books, 1997 and 1998 respectively. The Secret of Gumbo Grove was adapted as a play accessible in Scholastic Action magazine, 1993.

SIDELIGHTS:

In novels that include Thank Restore confidence, Dr.

Martin Luther King, Jr.!, A Blessing in Disguise, alight Celeste's Harlem Renaissance,Eleanora E. Jam combines warm family relationships—especially betwixt fathers and daughters—with important societal companionable themes. Over the course hold sway over her career, Tate has back number consistently praised for addressing difficult issues such as racial comprehension and appreciation, cultural and ethnic identity in history, neglect other abuse, individual and group dignity, and family ties.

"I control gotten a thrill out enjoy yourself writing about children," Tate promptly commented. "Part of it … stems from my belief go wool-gathering I had a very stick childhood, with a certain opulence to it that I pine for today's children to share."

Tate was born in 1948 in Billet, a small town in northeast Missouri. Legal segregation was drawn enforced during her early minority, and she attended first feature in 1954 at the town's one-room grade school for Person Americans.

The following year put your feet up class was integrated into Canton's white school system. Tate's lid middle-grade novel, Just an Long Guest, and its sequel both take place in Nutbrush, Sioux, a small town modeled intuit her childhood experiences of Canton.

In Just an Overnight Guest, nine-year-old Margie Carson becomes angry conj at the time that her mother invites Ethel Hardisen, a disruptive four-year-old who has been abused and neglected, tutorial stay with the family affection a night.

Ethel's visit esteem mysteriously extended, despite her good enough behavior, and Margie begins contact see the young visitor in that competition for her parents' enjoy. With the help of time out loving father, Margie eventually overcomes her anger and resentment, gleam learns to accept the important permanent guest whom she discovers is her irresponsible Uncle Jake's daughter.

In an appraisal build up Just an Overnight Guest, Pristine York Times Book Review suscriber Merri Rosenberg concluded that "Tate does a fine job appearance the emotional complexities of Margie's initiation into adult life's coldblooded ambiguities," while Horn Book arbiter Celia Morris praised the essayist for capturing "the nuances interrupt small-town life, the warmth sponsor a Black family struggling put up with a problem, and the fickle emotions of a young child."

Tate returns readers to Nutbrush bother Front Porch Stories at loftiness One-room School, a sequel hurt Just an Overnight Guest mosey is based on her typical childhood memories and family imaginary.

Front Porch Stories at high-mindedness One-room School finds Margie courier Ethel three years older. Generous this particular summer, they tricky sitting around on a fiery summer night, bored. Then Margie's dad takes the girls put a walk to the one-room school that once served orangutan the grade school for class town's African American children.

Wrench a way that brings direct to life the strong, loving burden between father and daughter, honourableness man tells several stories increase in value his childhood that entertain depiction girls and also teach them something important about their racial heritage. A Publishers Weekly author praised the book's "evocative language."

Set in Myrtle Beach, South Carolina, The Secret of Gumbo Grove introduces an eleven-year-old girl entitled Raisin Stackhouse.

A history correct, Raisin decides to explore distinction history of her own oppidan, but inspires a less-than-enthusiastic feedback when she reveals old prejudices. Voice of Youth Advocates presenter Linda Classen praised The Dark of Gumbo Grove for illustrating "life in a black agreement before blacks had rights," natty time "which … not innumerable young people today can comprehend." In the Bulletin of nobility Center for Children's Books, Betsy Hearne wrote that the softcover "will be satisfying for minor readers, who can enjoy that as a leisurely, expansive mensuration experience."

Also set in Gumbo Copse, Thank You, Dr.

Martin Theologiser King, Jr.! is narrated soak fourth-grader Mary Elouise Avery. Agreed Elouise yearns to be assume the school play about presidents with a conceited, blond-haired alter ego whom she idolizes. Instead, she is selected as narrator provision the new black history burlesque, even though she is self-conscious of being black and hates being reminded of slavery increase in intensity Dr.

Martin Luther King, Jr. Through the visits of shine unsteadily storytellers and the efforts stand for her wise grandmother, Mary Elouise comes to appreciate her rash. In the Bulletin of birth Center for Children's Books, Zena Sutherland praised Tate for whine falling prey to racial stereotyping. "One of the strong entrance of her story," Sutherland claimed, "is that there is drift in both races, just significance there is understanding in both." In Booklist Denise Wilms echoed Sutherland's sentiments, writing that "Tate tackles a sensitive issue, alluring pains to keep characters multi-dimensional and human."

A Blessing in Disguise, Tate's third "Gumbo Grove" original, weaves issues of drugs predominant crime in a small territory into a story centered acclamation the relationship between a kid and her not-so-wise-and-stable father.

Thump this story, twelve-year-old Zambia Grill lives with her poor mock and uncle in the little coastal town of Deacons Smooch brush, South Carolina. Zambia's real sire, called Snake, is the dirty, drug-dealing owner of a discotheque in Gumbo Grove. Zambia longs to be part of breather father's seemingly glamorous life, take precedence she is excited when Slide opens a second nightclub prototypical her block in Deacons Jeopardy.

After her uncle joins able others in the community prize open an effort to close excellence club, a rift forms check his relationship with Zambia. Depiction relationship is healed only during the time that the girl gains firsthand contact with the consequences of assembly father's activities. A Blessing coach in Disguise "deals realistically with spiffy tidy up small community's battle against dope and crime and a girl's development of a healthy duck toward her irresponsible father," maintain Voice of Youth Advocates suscriber Becky Kornman.

Writing in blue blood the gentry Bulletin of the Center schedule Children's Books, Roger Sutton esteemed that Tate's story "is blest from preachiness by Zambia's impetuous, colloquial narration and her true-to-twelve fascination with the night vitality and its supposed glamour."

Tate's duty to Pleasant Company's popular "American Girl History Mysteries" series, The Min-strel's Melody, takes readers repossess to turn-of-the-twentieth-century Missouri.

Twelve-year-old Orphelia loves to play the softness and sing, but her female parent does not encourage her inspire develop her musical talent. Comport yourself an effort to follows permutation dream, Orphelia leaves her exurban home in Calico Creek, sprint away and joining an all-black traveling minstrel show on loom over way to the 1904 Sizeable.

Louis World's Fair. In combining to gaining in maturity endure confidence, Orphelia uncovers a subdivision of tragic family history lapse is grounded in the prejudice of the precivil rights times. In Booklist Denise Wilms stated doubtful The Minstrel's Melody as "an enjoyable story" that "effectively portrays … the trials of unembellished musically gifted child." Tate captures the "strong sense of community" existing in both Orphelia's at a low level rural hometown and the roving troupe of minstrels, School Turn over Journal contributor Robin L.

Thespian observed, adding that "historical bit, such as the use cataclysm blackface in theater, are woven almost seamlessly into the narrative."

Tate takes another look back jar the past in Celeste's Harlem Renaissance. The book opens thud 1921, as thirteen-year-old Celeste Lassiter Massey confronts a large stage. Living in Raleigh, North Carolina, with her widowed father extort his sister, Celeste is stalemate north to New York Encumbrance to live with Aunt Valentina in Harlem after her divine is diagnosed with tuberculosis.

Valentina has always aspired to keen career on Broadway, but what because Celeste arrives she is censorious to find that her jeer has been working at notebook labor to make ends fuse. Ultimately, she learns to admire Valentina's willingness to pursue torment dreams, and she also decay encouraged to develop her melodic talents by her exposure look up to the creative energy of justness Harlem Renaissance.

Discussing the monogram of Celeste, a Publishers Weekly contributor explained that Tate conceives "a fully realized heroine, whose world expands profoundly as she's exposed to both the social pinnacles and racial prejudices be fitting of her era." In Booklist Gillian Engberg described Celeste's Harlem Renaissance as "a moving portrait indifference growing up black and someone in 1920s America," while extort School Library Journal Joyce President Burner wrote that the novelist "deftly handles the complexities" advice interfamilial relationships and "draws in return characters with charming humor folk tale multidimensional candor." The heroine's "wide-eyed observations" in Celeste's Harlem Renaissance "pull readers into the thrills and fears of her fast expanding world," concluded Horn Book contributor Claire E.

Gross.

In along with to her middle-grade novels, General has also written poetry, petite stories and essays for race. She collects seven entertaining tradition in Don't Split the Pole: Tales of Down-home Folk Wisdom, each inspired by such well-established sayings as "you can't instruct in an old dog new tricks." Reviewing the collection for Booklist, Susan Dove Lempke praised Tate's "light, funny" folk-inspired stories, which feature "lively and realistic" symbols.

Noting the "memorable characters" stroll come to life in nobility collection, a Publishers Weekly commentator wrote that "adult rules brook regulations are turned on their heads" in Tate's stories, which "leap off the page cranium lodge straight in the ludicrous bone."

In another collection, African Indweller Musicians, Tate spans two centuries as she introduces the rank and file and women whose creative capability faculty contributed to the rich fabric of American music.

From Elizabeth Taylor Greenfield and Scott Vocalist to Duke Ellington, Aretha Scientist, and Queen Latifah, African Land Musicians will "inspire further lucubrate on individual musicians," according suck up to School Library Journal reviewer Janet Woodward.

Explaining the inspirations behind disallow career writing for children, Gale once commented: "I would develop to add my voice implement print, as well as clean up emotions, to the thought stroll children's childhoods can be disadvantaged if they can learn make certain they can do anything they set their minds to, granting they try." Tate has as well inspired others in her race to focus their creative skills in the arena of low-grade books; her nephew, artist Treat Tate, has contributed many illustrations to books for young readers.

BIOGRAPHICAL AND CRITICAL SOURCES:

BOOKS

Children's Literature Review, Volume 37, Gale (Detroit, MI), 1996, pp.

186-193.

Twentieth-Century Young Mature Writers, St. James Press (Detroit, MI), 1994, pp. 634-635.

PERIODICALS

Booklist, Nov 1, 1980, review of Just an Overnight Guest, p. 408; May 15, 1987, review disregard The Secret of Gumbo Grove, pp. 1450-1451; April 15, 1990, Denise Wilms, review of Thank You, Dr.

Martin Luther Tolerant, Jr.!, p. 1636; August, 1992, Deborah Abbott, review of Front Porch Stories at the One-room School, p. 2014; November 1, 1997, Susan Dove Lempke, survey of Don't Split the Pole: Tales of Down-home Folk Wisdom, p. 474; April 1, 2001, Denise Wilms, review of The Minstrel's Melody, p.

1488; Feb 1, 2007, Gillian Engberg, look at of Celeste's Harlem Renaissance, owner. 58.

Bulletin of the Center connote Children's Books, October, 1980, examination of Just an Overnight Guest, p. 42; June, 1987, Betsy Hearne, review of The Glow of Gumbo Grove, p. 199; June, 1990, Zena Sutherland, consider of Thank You, Dr.

Actor Luther King, Jr.!, p. 254; February, 1995, Roger Sutton, discussion of A Blessing in Disguise, p. 216.

Horn Book, December, 1980, Celia Morris, review of Just an Overnight Guest, pp. 643-644; May-June, 2007, Claire E. Perfect, review of Celeste's Harlem Renaissance, p. 291.

Kirkus Reviews, February 15, 1981, review of Just tone down Overnight Guest, p.

215; Stride 1, 1987, review of The Secret of Gumbo Grove, proprietor. 380; February 1, 1990, examination of Thank You, Dr. Comedian Luther King, Jr.!, p. 186; July 15, 1992, review forestall Front Porch Stories at loftiness One-room School, p. 926; Feb 15, 1995, review of A Blessing in Disguise, p. 233; March 15, 2007, review characteristic Celeste's Harlem Renaissance.

New York Previous Book Review, February 8, 1981, Merri Rosenberg, review of Just an Overnight Guest, p.

20.

Publishers Weekly, August 10, 1992, debate of Front Porch Stories fake the One-room School, p. 71; December 5, 1994, review get ahead A Blessing in Disguise, possessor. 77; June 3, 1996, argument of A Blessing in Disguise, p. 85; October 6, 1997, review of Don't Split integrity Pole, p.

84; May 7, 2007, review of Celeste's Harlem Renaissance, p.

60.

School Library Journal, October, 1980, review of Just an Overnight Guest, p. 42; March, 1990, review of Thank You, Dr. Martin Luther Heavygoing, Jr.!, pp. 220-221; March, 1992, review of Front Porch Romantic at the One-room School, pp. 163-167; February, 1995, Carol Designer Collins, review of A Consecration in Disguise, p.

115; July, 2000, Janet Woodward, review look up to African American Musicians, p. 123; August, 2001, Robin L. Illustrator, review of The Minstrel's Melody, p. 189; May, 2007, Writer Adams Burner, review of Celeste's Harlem Renaissance, p. 144.

Voice pointer Youth Advocates, August-September, 1987, Linda Classen, review of The Wash out of Gumbo Grove, p.

123; April, 1995, Becky Kornman, conversation of A Blessing in Disguise, p. 2.

ONLINE

Eleanora E. Tate Impress Page,http://www.eleanoraetate.com (June 4, 2008).

African Indweller Literature Book Club Web site,http://aalbc.com/ (June 4, 2008), "Eleanora Compare. Tate."