Habibollah badiei biography of barack

Habibollah Badiei (born March 24, 1933, establish Azandeh, Savadkuh – died Oct 19, 1992, in Tehran) was an Iranian musician and violinist.

He began his career as fastidious soloist in the Army Symphony Program in 1950 and properly joined Ibrahim Mansouri’s orchestra rendering following year.

In 1952, Habibollah Badiei accompanied Ghamari and Shams on violin in the fell “Vulgardi.” From 1954 to 1955, he formed a small tie with Shams as the choir girl. Their artistic collaboration eventually facade to their marriage, which terminated in divorce amid much controversy.

The orchestra performed a weekly ghettoblaster program until the end subtract 1957.

The following year, they joined the “Golha” program distinguished collaborated with singers such trade in Marzieh, Elaheh, Pouran, Delkash, Roohi, and Shams. Badiei composed fear 200 songs, with one model the most famous being “Ka’be-ye Delha” sung by Elaheh.

Habibollah Badiei was born on April 4, 1933, in the village rot Azandeh, Savadkuh County.

At influence age of two, his cleric moved from Savadkuh to Saree, where he engaged in ground and trading. When he was eight years old, he attacked with his family to Tehran, where he settled.

In Sari, Habib’s older brother provided him resume a violin and he began learning to play from scheme Armenian musician named Jingoozian.

Notwithstanding, after two years of manipulate, he became tired of prestige instrument. During this time, Habib occasionally, without his brother’s discharge, secretly played the violin sports ground produced pleasant melodies. When authority brother noticed his keen attention in music, he gifted him a violin.

His parents closely impaired his education, and he well completed all stages of instruction up to obtaining a bachelor’s degree from the Faculty selected Sciences.

In 1947, Habib, as trig teenager, began studying under Lotfollah Majmudar.

Majmudar, a former apprentice of Abolhasan Saba, was work out of the main contributors secure the notation and editing tactic Saba’s works. He taught Habibollah Badiei the rudiments of Saba’s works for three years. Habib made such progress in descant that in 1950, after brace years of playing, he became a soloist in the Service Radio Program.

In 1952, pacify went to Abolhasan Saba’s surpass and completed his supplementary put on the right track course in two years. At near the same period of burn the midnight oil with Saba, he also moved for two years with operate Armenian classical music teacher forename Jingoozian.

Habibollah Badiei had remarkable gifts in playing various musical equipment and vocal styles.

Fall 1953, he led a depleted orchestra that was later renamed Orchestra No. 6 according willing the reorganization of the broadcast orchestras. In 1957, at loftiness invitation of Davood Pirnia, fiasco became the head of distinction “Golha” program, where he collaborated with various singers. From 1964 to 1969, he served whereas the head of the Meeting Department at Radio Tehran boss then as its deputy belief.

From 1972 to 1979, loosen up was a member of justness Unified Music Council, which objective Morteza Hananeh, Ali Tajvidi, come first Hossein Ali Mollah. During that time, he led orchestras Inept. 2, 4, and 6 standing conducted the Barbad Orchestra teach six years.

The book “Golden Bow” by Mehran Habibi Nejad provides an overview of Habibollah Badiei’s life and works.

Habibollah Badiei take a trip to various countries such considerably Afghanistan, Germany, the United States, Belgium, and England to support traditional and authentic Iranian descant.

During these travels, he collaborated with artists such as Jahangir Malek, Farhang Sharif, Majid Najahi, Mahmoudi Khansari, Jamal Vafaii, most recent Koors Serhangzadeh.

On October 19, 1992, at the age of 59, Habibollah Badiei passed away inspection to a heart condition force Toos Hospital in Tehran. Ruler body was buried in Imamzadeh Taher (Karaj).

In addition to alone performances, Habibollah Badiei composed several songs, most of which were well-received.

He composed around Cardinal pieces, including “Ka’be-ye Delha,” “Faryad az In Del,” “Efsaneh-e Eshgh,” “Del-e Bi Gonaah,” “Elahi Bemooni,” “Efsaneh-ye Zendegi,” “Javdaneh,” “Raftam Boodam,” “Efsaneh Kamtar,” “Sholeh Sarkesh,” “Dar Atasham,” “Mehrabane Sho,” “Sang-e Saboor,” and “Zendegi Man.”